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出 演 |
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Paul Robeson
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監 督 |
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Zoltan Korda, Pen Tennyson, Oscar Micheaux, Dudley Murphy, Kenneth Macpherson
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Special
Features |
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"Body And Soul" (1925) / "Borderline" (1930):
New, digital transfers of Body and Soul and Borderline created from the best surviving elements
Audio commentary for Body and Soul by Oscar Micheaux historian Pearl Bowser
Musical scores by jazz recording artists and composers Wycliffe Gordon (i>Body and Soul) and Courtney Pine (Borderline)
Optional English subtitles for the deaf and hard of hearing
"The Emperor Jones" (1933, 巨人ジョーンズ) / "Paul Robeson: Tribute to an Artist"
New digital transfer of The Emperor Jones, created from the best surviving elements
Audio commentary for The Emperor Jones by historian Jeffrey C. Stewart
His Artistry and Legacy, a new video program including interviews with filmmaker William Greaves and actors Ruby Dee and James Earl Jones
Robeson on Robeson, a new interview with Paul Robeson Jr. about his father's career and art
Optional English subtitles for the deaf and hard of hearing
"The Proud Valley" (1940) / "Native Land" (1942)
New, digital transfers of The Proud Valley and Native Land created from the best surviving elements
"The Story of Native Land," a new video interview with cinematographer Tom Hurwitz, son of Frontier Films cofounder and Native Land codirector Leo Hurwitz
1958 Pacifica Radio interview with Paul Robeson
Optional English subtitles for the deaf and hard of hearing
"Sanders of the River" (1935, コンゴウ部隊) / "Jericho" (1937)
New, digital transfers created from the best surviving elements
True Pioneer: The British Films of Paul Robeson, a new video program featuring interviews with Paul Robeson Jr. and film historians Stephen Bourne and Ian Christie, and including film clips from Song of Freedom (1936), King Solomon's Mines (1937), and Big Fella (1938)
Optional English subtitles for the deaf and hard of hearing
Plus
A book featuring an excerpt from Paul Robeson's Here I Stand, new essays by Clement Alexander Price, Hilton Als, Charles Burnett, Ian Christie, Deborah Willis, and Charles Musser, and a reprinted article by Harlem Renaissance writer Geraldyn Dismond |
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